Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Anton Raphael Mengs 01

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
86693		All Souls College	Oil on wood, 291 x 178 cm. Date 1770-71 cyf
33834		Allegory of History	mk86 c.1772/73 Fresco 420x260cm Rome,Vatican,Biblioteca Vaticana,Sala dei Papiri
79477		British painter	1752(1752) Medium Oil on canvas Dimensions 84.6 x 75.2 cm (33.3 x 29.6 in) cyf
79173		Charles III of Spain	ca. 1760(1760) Medium Oil on canvas cyf
90905		Christ in the Garden of Gethsemane	Oil on canvas, 185 x 185 cm. Date ca. 1780 cjr
88474		Das Urteil des Paris	c. 1757 Medium Oil on canvas cjr
91882		Das Urteil des Paris	c. 1757 Medium oil on canvas Dimensions Deutsch: 226 X 295,5 cm cjr
80048		Diana as Personification of the Night by Anton Raphael Mengs.	Diana as Personification of the Night by Anton Raphael Mengs. One of an ensemble of four paintings with personifications of the times of day intended as supraportas for the boudoir of Maria Luisa of Parma, Princess of Asturia, now in the Palacete de la Moncloa as part of the Patrimonio Nacional, Madrid. Oil on canvas, 192 x 180 cm. Date ca. 1765 cjr
81485		Don Luis de Borbon	ca. 1769(1769) Medium Oil on canvas Dimensions 82 x 63 cm (32.3 x 24.8 in) cyf
84084		Evening	Date ca. 1765 cyf
84087		Helios as Personification of Midday	Date ca. 1765 cyf
79964		Holy Roman Emperor	1770-1771 Medium Oil on canvas Dimensions 147 x 96 cm (57.9 x 37.8 in) cyf
80250		Holy Roman Empress	1770(1770) Medium Oil on canvas Dimensions 98 x 78 cm (38.6 x 30.7 in) cyf
79146		Infanta Maria Josefa	between 1761(1761) and 1769(1769) Medium Oil cyf
78793		Infantin Maria Theresa von Neapel	1773(1773) Medium Oil on panel Dimensions 103 x 76 cm (40.6 x 29.9 in) cyf
79466		Infantin Maria Theresa von Neapel	1773(1773) Medium Oil on panel Dimensions 103 x 76 cm (40.6 x 29.9 in) cyf
31356		Maria Luisa of Parma	nn07 1765 oil on canvas; 48??38 cm? Prado, Madrid, Spain
64324		maria luisa of parmathe princess of asturias	1765 paris. louvre
78399		Maria Luisa von Parma	ca. 1765(1765) Medium Oil on canvas Dimensions 152 x 110 cm (59.8 x 43.3 in) cyf
76549		Maria Luisa von Parma Prinzessin von Asturien	ca. 1765(1765) Oil on canvas 152 ?? 110 cm (59.8 ?? 43.3 in) cjr
83979		Night by Anton Raphael Mengs	Oil on canvas, 192 x 180 cm. Date ca. 1765 cyf
82649		Noli me tangere, painting by Anton Raphael Mengs. All Souls College, Oxford	Noli me tangere, painting by Anton Raphael Mengs. All Souls College, Oxford (since 1997, on loan from the National Gallery, London). Oil on wood, 291 x 178 cm. Date 1770-71 cjr
83466		Perseus Frees Andromeda	. Oil on canvas, 227 x 153.5 cm. Date 1773-76 cyf
78158		portrait	Date ca. 1778(1778) Medium Oil on wood Dimensions 56.5 x 43 cm (22.2 x 16.9 in) cyf
78078		Portrait du cardinal Archinto	1756(1756) Oil on canvas 155 x 114 cm (61 x 44.9 in) cjr
78910		Portrait of Archduke Ferdinand (1769-1824) and Archduchess Maria Anna of Austria (1770-1809), children of Leopold II, Holy Roman Emperor	1770-1771 Oil on canvas 147 x 96 cm (57.9 x 37.8 in) cjr
91837		Portrait of Charles Hanbury Williams.	c. 1750(1750) Medium oil on canvas cjr
77074		Portrait of Charles III of Spain	1761 cjr
79931		Portrait of Charles III of Spain	. 1760(1760) Medium Oil on canvas cyf
80202		Portrait of Domenico Annibali	1750(1750) Medium Oil on canvas cyf
77800		Portrait of Domenico Annibali (1705-1779), Italian singer	1750(1750) Oil on canvas 95 cm (37.4 in). Height: 125 cm (49.2 in). cjr
79851		Portrait of Infanta Maria Josefa	between 1761(1761) and 1769(1769) Medium Oil cyf
81638		Portrait of Infante Antonio Pascual of Spain	Date c. 1765 Medium Oil on canvas Dimensions 84 x 68 cm (33.1 x 26.8 in) cjr
76044		Portrait of Isabel Parreno Arce Ruiz de Alarcon y Valdes, Marchioness of Llano	1770-1775 Oil on canvas 250 ?? 148 cm (98.4 ?? 58.3 in) cjr
96485		Portrait of JoseNicola de Azara	before 1779(1779) Medium oil cyf
81206		Portrait of Maria Antonia Walpurgis of Bavaria	Date 18th century Medium Oil cjr
80547		Portrait of Maria Antonietta of Spain	after 1773(1773) Medium Oil on canvas cyf
81691		Portrait of Maria Antonietta of Spain	1773(1773) Medium Oil on canvas cyf
78009		Portrait of Maria Carolina of Austria	Date 1772-73 Medium Oil cyf
76196		Portrait of Maria Carolina of Austria Queen consort of Naples and Sicily	1772-73 cjr
80191		Portrait of Maria Luisa of Spain	Date Deutsch: um 1764/1765 Medium Deutsch: Leinwand Dimensions 84.5 x 65 cm (33.3 x 25.6 in) cyf
78822		Portrait of Richard Wilson	1752(1752) Medium Oil on canvas Dimensions 84.6 x 75.2 cm (33.3 x 29.6 in) cyf
79235		Portrait of the Duchess of Huescar	1757 Medium Oil cyf
81420		Portrait of the Infante Gabriel of Spain	1761(1761) Medium Oil on canvas Dimensions 82 x 69 cm (32.3 x 27.2 in) cyf
88577		Portrat eines Mannes	between 1774(1774) and 1776(1776) Medium Oil on wood Dimensions 67 x 53 cm (26.4 x 20.9 in) cjr
92739		Prince of Asturias, Future Charles IV of Spain	c. 1765(1765) Medium oil on canvas Dimensions 152.5 X 111 cm (60 X 43.7 in) cjr
77969		Retrato de la Marquesa de Llano	Date 1770-1775 Medium Oil on canvas Dimensions 250 x 148 cm (98.4 x 58.3 in) cyf
78432		Retrato de la Marquesa de Llano	1770-1775 Medium Oil on canvas Dimensions 250 x 148 cm (98.4 x 58.3 in) cyf
81437		Self ortrait	1774(1774) Medium Oil on wood Dimensions 73.5 x 56.2 cm (28.9 x 22.1 in) cyf
78577		Self portrait	after 1775(1775) Medium Oil on canvas Dimensions 97.2 x 73 cm (38.3 x 28.7 in) cyf
2891		Self Portrait 12	The Hermitage, St.Petersburg
2890		Self Portrait ddd
38544		Self-Portrait	mk138 c.1773/74 Oil on wood 90.5x74.5cm
40599		Self-Portrait	mk156 c.1775 Oil on panel 97x72.6cm
76219		Self-portrait	ca. 1778(1778) Oil on wood 56.5 ?? 43 cm (22.2 ?? 16.9 in) cjr
76685		Self-portrait	after 1777(1777) Oil on canvas cjr
76784		Self-portrait	ca. 1775(1775) Oil on canvas 102 ?? 77 cm (40.2 ?? 30.3 in) cjr
77103		Self-portrait	1773(1773) Oil on wood 98 ?? 73 cm (38.6 ?? 28.7 in) cjr
78105		Self-portrait	1774(1774) Oil on wood 73.5 x 56.2 cm (28.9 x 22.1 in) cjr
78594		Self-portrait	after 1777(1777) Medium Oil on canvas cyf
23379		self-Portrait (nn03)	c 1774 Oil on canvas 102 x 77 cm 40 1/4 x 30 1/4 in Hermitage Museum St Petersburg
91096		Semiramis Receives News of the Babylonian Revolt by Anton Raphael Mengs. Now in the Neues Schloss, Bayreuth	Oil on canvas, 105.5 x 137 cm. Date ca. 1756 cjr
39719		St Foseph-s dream	mk150 c.1773/4 Oak 114x86cm
62818		The Holy Family	1769 Oil on canvas, 112 x 91 cm Museum of Fine Arts, Budapest The artist used a single colour, gray, and used the various shades of this colour to create a total pictorial illusion. Artist: MENGS, Anton Raphael Title: The Holy Family Date: 1751-1800 German , painting : religious
83301		The Judgment of Paris	Oil on canvas, 226 x 295 cm. Date ca. 1757 cyf
93480		The Judgment of Paris, painting by Anton Raphael Mengs, now in the Eremitage, St. Petersburg	Oil on canvas, 226 x 295 cm. Date ca. 1757 cjr
79138		the later Queen Maria Luisa of Spain	1765(1765) Medium Oil on canvas Dimensions 38 x 48 cm (15 x 18.9 in) cyf
82858		Unknown Cardinal	1750(1750) Medium Oil on canvas Dimensions 737 x 616 cm (290.2 x 242.5 in) cyf

Anton Raphael Mengs

1728-1779 Dutch Anton Raphael Mengs Gallery Mengs was born in 1728 at Usti nad Labem (German: Aussig) in Bohemia on 12 March 1728; he died in Rome 29 June 1779. His father, Ismael Mengs, a Danish painter, established himself finally at Dresden, whence in 1741 he took his son to Rome. In Rome, his fresco painting of Parnassus at Villa Albani gained him a reputation as a master painter. The appointment of Mengs in 1749 as first painter to Frederick Augustus, elector of Saxony did not prevent his spending much time in Rome, where he had married Margarita Quazzi who had sat for him as a model in 1748, and abjured the Protestant faith, and where he became in 1754 director of the Vatican school of painting, nor did this hinder him on two occasions from obeying the call of Charles III of Spain to Madrid. There Mengs produced some of his best work, and specially the ceiling of the banqueting-hall of the Royal Palace of Madrid, the subject of which was the Triumph of Trajan and the Temple of Glory. Among his pupils there was Agust??n Esteve. After the completion of this work in 1777, Mengs returned to Rome, and there he died, two years later, in poor circumstances, leaving twenty children, seven of whom were pensioned by the king of Spain. His portraits and autoportraits recall an attention to detail and insight, often lost from the grand manner paintings. Besides numerous paintings in the Madrid gallery, the Ascension and St Joseph at Dresden, Perseus and Andromeda at Saint Petersburg, and the ceiling of the Villa Albani must be mentioned among his chief works. In 1911, Henry George Percy, 7th Duke of Northumberland, possessed a Holy Family, and the colleges of All Souls and Magdalen, at Oxford, possessed altar-pieces by Mengs's hand. In his writings, in Spanish, Italian and German, Mengs has put forth his eclectic theory of art, which treats of perfection as attainable by a well-schemed combination of diverse excellences Greek design, with the expression of Raphael, the chiaroscuro of Correggio, and the colour of Titian. He would have fancied himself the first neoclassicist, while in fact he may be the last flicker of Baroque art. Or in the words of Wittkower, In the last analysis, he is as much an end as a beginning. His intimacy with Johann Joachim Winckelmann, who constantly wrote at his dictation, has enhanced his historical importance, for he formed no scholars, and the critic must now concur in Goethe's judgment of Mengs in Winckelmann und sein Jahrhundert; he must deplore that so much learning should have been allied to a total want of initiative and poverty of invention, and embodied with a strained and artificial mannerism. Mengs was famous for his rivalry with the contemporary Italian painter Pompeo Batoni.

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